Secret Agent Taia

February 5, 2017 Leave a comment

I can’t really think of anything to write about this image. I was reading some Uncanny X-Men comics when I was inspired to create this image.

I tweaked Taia’s skin shaders a little bit to make her less shiny and give her a more brown, less yellow tone.

I decided not to use any depth-of-field (DOF) for the camera in this image. Personally, I like being able to see all the detail of the Ivy in the background. Honestly, in general, I’m not that big of fan of DOF. I do use it regularly though; in certain instances I would say it can definitely add to an image. I guess for me, it just depends on what I’m going for, or probably more likely, just what kind of mood I’m in LOL.

Anyway, I hope you like the image!!!

Total Rendering Time: 1 hour 8 minutes 52 seconds. 97.68% of image converged.

Software used for scene compilation: Daz Studio 4.9.
Rendered with NVIDIA Iray.
No post-work.

Products used in the image:

Character: FWSA Taia HD for Victoria 7 by: Fred Winkler Art & Sabby
With a combination of: Genesis 3 Female Body Morphs by: Daz Originals
Her hair: Kanzashi Hair for Genesis 3 Female(s) by: Daz Originals & goldtassel
Her outfit: Dragon Rider Outfit for Genesis 3 Female(s) by: Daz Originals, Bobbie25, Arien & Umblefugly
Her gun: Urban Assault Rifle SK-307 by: Polish
The environment: Our Lost Future by: Stonemason
HDRI used with emission lights and a spotlight: HDRI 360 041-Lussan-Street-Border by: Aversis

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About

Hi and welcome to LayLo3D.com! My name's Landon. I created this site because I love building, whether it's with a mouse and keyboard, hammer and nails, or concrete and steel.

I've been working in construction pretty much since I could walk. My parents were in the process of building their first house when I was born and have been buying "fixer uppers" and fixing them up ever since.

I first got into CG when I was 12 or 13. The high school I went to had 3D Studio Max R2.5 as one of the modalities to work with in Art class. I have always loved and been passionate about 3D, but unfortunately for whatever reason, it didn't occur to me that a career in CG was possible.

It wasn't until 2013 when I met a professional animator who worked on projects like the Transformers series that the light bulb turned on in my head. That's when my passion for CG was re-ignited.

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